Theater light color moods8/7/2023 So applying two colours - each across half the lights - is often enough to create a compelling lighting scene. Of course, the two colours also spill into each other to create a mix in between them on the colour wheel. That balances each other out, while being distinct enough to each ‘pop’.Įxamples of complimentary colour wheels and combinations Notice that complementary colours are made up of one ‘warm’ colour and one ‘cool’ colour. Two complementary colours work well in most situations, and allow you to mix the moods. Knowing which colours are complementary to one another can help you make good decisions. ![]() Monochromatic colours refers to a single colour used on all lights to create a strong single emotion.Ĭomplimentary Colours are two colours that are on opposite sides of the colour wheel. Of course, this is a very simplified way of sharing moods with you, and tints and combinations of colours can create all manner of mood shifts.Īccording to Pro Audio Files there are a few common types of scene settings: Dark Blue = Water, Night-time, Calm, Sullen.Aqua/Bright Blue = Cold, detached, but can be used to create clarity, if you’re using warmer colors around it like red.Green = Rootsy, Organic, Calming, Earthy, but if too bright can make people look ‘sickly’.Red creates a classic stage vibe is flattering to performer (de-ages and smooths lines), and can feel warm to audiences. Red = Although red is often considered an aggressive colour, red stage lighting isn’t always felt like that.Setting your 4 (or more) lights to default settings of red, blue, green and yellow can look cheap, and fails to convey a vibe.Įvery colour has some kind of emotion tied to it, so the colour of your lights is key to controlling venue and performance mood.īelow we’ve listed colours, the general mood they invoke in audiences, and how they represent the performer : Refer to the colour wheel above as we explore lighting. ![]() Without the list, you risk people setting lights incorrectly, or wiping your scenes while trying to get lighting rig to work.Įxample light scene list by colour and mood - make one and keep it behind the bar. That way other bar staff or sound production can simply load up a scene that suits the performance. Keep a list of your lighting scenes behind the bar that references the scene number, the colour(s) it contains, and the mood. The best starting point is to configure scenes on your light rig represent different moods and emotions. Most light packs allow you to store scenes by number, so you can load them up to suit the general vibe you’re after. Scenes can usually be stored, and manually switched during performance, or preset to automatically (and ideally, slowly) move between these scenes if you want to set and forget your lights. Most simple light sets allow you to pre-program different ‘Scenes’ - combinations of lights and their colour/brightness settings. We’ll assume you don’t have a lighting operator to manually mix lights during the performance, so you need to configure your lights to run unassisted (set and forget!). Obviously refer to your light pack user-guide to configure them, but here’s an overview on programming lights, and tips to make it easy for bar staff to adjust.
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